Gendertudományi Központ - Szakdolgozatok | Angol-Amerikai Intézet

Témavezető: Dr. Séllei Nóra

• Eszenyi László: Contrasts and Parallels in Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights, 1995
• Kiss Dóra: Aesthetic Development in the Works of Katherine Mansfield, 1995
• Szarka Eleonóra: Women’s Search for Identity in Hardy’s Novels, 1995
• Dorkó Dóra: Female Experience in Jean Rhys’s Novel Wide Sargasso Sea, 1996
• Lencz Mónika: Narrative Strategies in Katherine Mansfield’s Short Stories, 1996
• Oláh Szilvia: D. H. Lawrence’s Theory and Shorter Fiction in the Light of Freud’s and Fromm’s Philosophy, 1996
• Tóth Tünde: A Psychoanalytic Reading of Emily Brontë’s Wuthering Heights, 1996
• Tóthné Krankovics Ildikó: The Presence of Freud’s Theory of the Oedipus Complex in Sons and Lovers by D. H. Lawrence, 1996
• Dipold Lilla: Themes in Hardy’s Shorter Fiction, 1997
• Fazekas Attila: Emily Brontë, Wuthering Heights: A Rebellion against the Dominant Discourses of the Western European Cultures, 1997
• Kalmár György: The Pleasure of Orlando, 1997
• Kenéz Adrienn: Splitting of Consciousness: The Female Psyche in Emily Brontë’s and Sylvia Plath’s Novels, 1997
• Kéri Henriett: George Eliot’s Moral Views about Egoism and Altruism through the Lots of her Female Heroines, 1997
• Nagy Viktória: Male-Female Relationships in the Patriarchal Society of Jane Austen’s World, 1997
• Nyíri Éva: Visualisation and the Gothic Paraphernalia, 1997
• Porcsalmi Izabella: Frankenstein and Jung’s Theory of the Individuation Process, 1997
• Tóth Orsolya: The Mill on the Floss: A Female Bildungsroman and the Interpretation of the Genre, 1997
• Csajbók Anikó: Christina Rossetti and the Concept of Victorian Femininity, 1997
• Nagy Ágnes: Society and the Fragmented Female Psyche in Sylvia Plath’s The Bell Jar and Margaret Atwood’s Surfacing, 1997
• Follárdt Natália: “Speaking as a Woman”: Gertrude Stein and Virginia Woolf, 1998
• Nagy Ildikó: Brothers and Sisters in 19th-Century British Women Writers’ Works, 1998
• Tóth Nárcisz: Representation of Mother-Daughter Bonding in the Works of Female Writers, 1998
• Végvári Edit: Who’s Afraid of the Wolves?: Female Figures in Christa Wolf’s Kassandra and Virginia Woolf’s Mrs Dalloway, 1998
• Csillingh Erika: The Feminine Condition in Margaret Atwood’s Fiction, 1998
• Garai Mónika: The Feminisation of the “Third Genre”, 1999
• Homoródi Zsuzsa: Third Stories: Representatives of the Madwoman in Women’s Novels, 1999
• Lantos Enikő: Twice-Told Tales: Fairy Tale, Gothic, and Fantasy in Angela Carter’s The Bloody Chamber and Other Stories, 1999
• Szentgáli Aliz: Awakenings: Roles and Models for Married Women and Their Defiance in Two 19th-Century Novels: Kate Chopin’s The Awakening and Theoder Fontane’s Effie Briest, 1999
• Gergely Szilvia: Images of Woman, 2000
• Kovács Éva: Female Confessions, 2000
• Szebeni Edit: Searching for a Female Identity: A Comparison of A. Mitgutsch’s Die Züchtigung and Sylvia Plath’s The Bell Jar, 2000
• Csatári Annamária: Margaret Drabble’s The Waterfall as Künstlerroman, 2001
• Huszti Andrea: Daphne du Maurier’s Rebecca: A Jane Eyre Intertext, 2001
• Jakab Enikő: Ilness and Family Romance: a Key Motif in Charlotte Brontë’s Novels, 2001
• Juhász Andrea: Maxine Hong Kingston’s The Woman Warrior: A Bicultural Female Künstlerroman, 2001
• Kertész Márta: The Domestic Novel: Jane Austen and Maria Edgeworth, 2001
• Jakab Anna-Mária: Reading the Female Body in Margaret Atwood’s Surfacing, 2002
• Bolgár Tamás: Tales of the Mirror: Narration, Narrators, and Narrative in Emily Brontë’s Wuthering Heights, 2002
• Szénási Emőke: “A Palimpsest of Unheard Sounds”: Female Subjectivity in Margaret Atwood’s The Handmaid’s Tale, 2002
• Garamvölgyi Judit: “The Wet Frontier Between Me and Me”: Siren-songs from the Modernity, 2003
• Horváth Borbála: A Critical Review of the Reception of Emily Brontë’s Wuthering Heights, 2003
• Bencze Kinga: What is in Bridget Jones’s Diary ? — An Analysis of Helen Fielding’s Bridget Jones’s Diary from a Sociological Point of View, 2004
• Dóri Márta: “Through the Looking Glass”: Looking and Self­-Definition in Charlotte Brontë’s Villette, 2004
• Katona Julianna: Identical Gynaecologies: Gynaecology and Duality in David Cronenberg’s Dead Ringers, 2004
• Almási Csilla: The Problem of Creation: An Analysis of Charlotte Perkins Gilman’s “The Yellow Wallpaper” and George Eliot’s “The Lifted Veil”, 2004
• Zakariás Flóra: Fatalism and Determinism in Thomas Hardy’s Novels, 2005
• Kolarovics Teréz: Mirroring Bodies and Texts — Michael Cunningham’s The Hours and its Intertetxts, 2005
• Varga Emese: Schizophrenia: ‘The Perfect Literary Symbol for the Female Condition’
• in the Novels of Janet Frame and Sylvia Plath, 2005
• Nagy Alexandra: Swallowing Mirrors – Mirrors and Others in Sylvia Plath’s The Bell Jar, 2005
• Erdei Nóra: “The Erotic Beyond”: Sexuality in Emily Dickinson’s and Christina Rossetti’s Poetry, 2005
• Szabó Erika: „The Relation of Women’s Fashion to Art”, 2005
• Gergely Nikoletta Éva: Epistemology, Rhetoric and Power in Sigmund Freud’s ‘Fragment of an Analysis of a Case of Hysteria’ (‘Dora’), 2006
• Hegedűs Melinda: Psychic Mirrors in Women’s Writing, 2006
• Schottner Ágnes: The Shadow of the Ruse Fossette – Lucy Snowe’s Shadow-Like Character in Charlotte Brontë’s Villette, 2006
• Bánki Ágnes: The Possibilities of Integration and Reintegration Into Society in Marie de France’s Lais, 2007
• Tóth Eszter: The ‘Other’ Woman in the Attic in Jean Rhys’s Wide Sargasso Sea, 2007
• Papp Réka: The Female Body in Feminist Fiction, 2007
• Krakkó Eszter: Charlotte Brontë’s Novels: Inviting the Picturesque, 2007
• Papp Barbara Judit: Emily Jane Brontë’s Gondal Poems as a Gothic Story, 2007
• Veres Ibolya: Physical Illnesses and Mental Diseases in Connection with Marriages in Jane Austen’s Pride and Prejudice, Sense and Sensibility and Emma, 2007
• Kovács Blanka: The Other Face of Fairy Tale Heroines: Alternative Heroines in the Fairy Tales of the Brothers Grimm, 2008
• Barna Tibor: Oleanna: Feminism, Postmodernism and Political Correctness, 2008
• Sanyó Olívia: Redefining Gender Relationship and Identity in Angela Carter’s The Bloody Chamber, 2008
• Tóth Krisztina: Női tes(z)t-ábrázolásmódok Tóth Krisztina novelláiban, 2008
• Kristóf Júlia: The Feminine the Ruler – The Masculine the Tender:
• The Gender-Shift in Emily Brontë’s Gondal Poems, 2008
• Agócs Andrea: Three Generations of Women – A Three-Generation Woman: Stephen Daldry’s The Hours, 2009(BA)
• Antal Adrienne: Villette: A Quest for Self-Definition, 2009
• Bata Györgyi: Gender Changes in “The Lifted Veil” and in Orlando, 2009
• Diviki Dóra: Esther’s Doubles in Sylvia Plath’s The Bell Jar 2009
• Fenyősy Márta: Colours as Means of Understanding the Process of Going Mad in Wide Sargasso Sea, 2009 (BA)
• Mladoneczki Laura: Flower Symbolism in Angela Carter’s The Magic Toyshop, 2009 (BA)
• Pavletits Orsolya: The Double Discourse on Victorian Womanhood and Sexuality for a Contemporary Perspective, 2009
• Szűcs Péter: Confused: Postfeminism and Helen Fielding’s Bridget Jones’ Diary, 2009 (BA)
• Vígh Mónika: International Relations in the Women’s Suffrage Movement in New Zealand, 2009
• Hermann Ildikó: The New Woman at the Fin de Siècle: Fact or Fiction? 2009
• Szabó Ildikó: Other Bodies – The Representation of Disabled Female Bodies, 2009
• Baji-Gálné Oláh Ibolya: Bildungsroman in the Shadow of Madness in Daphne du Maurier’ Rebecca and Alfred Hitchcock’s Film Adaptation, 2010
• Benedek Nikolett: Artistic Representation in Woolf’s To the Lighthouse, 2010
• Estók Anna: Modern Urban Heterotopias–Modern Urban Phenomena and Their Representation in Literature and in Films in Connection with Space, 2010
• Lőrincz Bianka: The Function of Seasons in Thomas Hardy’s Tess of the d’Urbervilles, 2010
• Muszka Zsuzsanna: The Intertextual Connection Between Lessing's The Grass is Singing and Coetzee's In the Heart of the Country, 2010
• Szabó Emőke: A Comparative Analysis of Pride and Prejudice and Bridget Jones’s Diary, 2010
• Szabó Orsolya Zsuzsanna: Just Turn It Around:The Osbournes and The Osbournes as Images and Storytellers of Gender, 2010
• Szalóki Zsuzsanna: The “Uncanny” and the Gaze: Nature as the Embodiment of Repressed Contents in Conrad’s Heart of Darknes and in Lessing’s The Grass is Singing, 2010
• Tar Adrienn: Trauma and Confusion in Women’s Lives, and the Failure of Psychiatry in Sylvia Plath’s The Bell Jar, 2010
• Bacskó Barbara: (magyar szak) A hisztéria mint a női szubjektum elvesztése a Jane Eyre-ben és a Széles Sargasso-tengerben 2010
• Kiros Eszter: Goels and Tricksters in Jesus’ Matrilineage 2010
• Filep Éva: The Role of Women’s Magazines in Creating Ideal Females 2010
• Németh Ágnes: Virginia Woolf and the Problem of Language 2010
• Bussy Adrienn: Bridget Jones’s Diary as a Text of the Subcultural Phenomenon 2011 (BA)
• Tógyer Eleonóra The Self As The Other In Margaret Atwood’s The Robber Bride 2011 (BA)
• Bozsó Georgina: Strings of Autocracy: From Fairy Tale to the Fear of the Unknown in Angela Carter’s The Magic Toyshop 2012 (BA)
• Sulyák Alexandra: The Function adn Significance of Spatial Metaphors in Emily Brontë’s Wuthering Heights 2012 (BA)
• Agócs Andrea: What Shall we Do with Our Soldiers? Representations of the Shell-Shocked Soldier in Rebecca West’s The Return of the Soldier and Sarah Waters’s Little Stranger 2012 (MA)
• Fenyősy Márta: Madness Through Water Symbolism in Janet Frame’s Faces in the Water 2012 (MA)
• Setét Réka: “Tell me where it hurts”: The Traumatic effects of Story-Telling in Margaret Atwood’s The Blind Assassin and Barbara Vine’s Dark-Adapted Eye 2012 (MA)
• Szalóki Zsuzsanna: The Mother-Daughter Relationship in Fairy Tales by Contemporary Women Writers 2012 (MA)
• Farkas Szabolcs: Reading Virginia Woolf’s The Voyage Out as a Female Initiation Story 2013 (BA)
• Kulcsár Lili: The Development of Cultural and Masculine Identity in Hanif Kureishi’s The Buddha of Suburbia 2013 (BA)
• Sugár Gabriella: ‘Buried Alive’: The Treatment of Trauma and Repression in Villette 2013 (BA)
• Szigeti Magdolna: The Description of Weather and Landscape on the Moorland in Emily Brontë’s Wuthering Heights 2013 (BA)
• Szilágyi Bella Brigitta: Gaze and ‘Surveillance’ in Charlotte Brontë’s Villette 2013 (BA)
• Gellér Marianna: Women as Powerful and Monstrous: The Witch, the She-Devil and the Femme Fatale in Literature and Film 2013 (MA)
• Kicsák Erika: Victorian Paintings as Immensely Rich Sources for Analysing the Emergence of the New Woman from the Role of the Obedient Middle-Class Housewife 2013 (MA)
• Nyári Ákos: Sexism as an Issue in Video Games 2014 (BA)
• Borsos Gabriella: The Female Body in Margaret Atwood’s Fiction: Objectification and Alienation of the Body 2014 (MA)
• Péter Zsuzsa Flóra: Of Monsters and Mothers 2014 (MA)
• Juhász Dóra: ‘The name of governess […] was a mere mockery’: The Historical and Social Position of the Victorian Governess 2015 (BA
• Lakatos Ildikó: Fairy Tales and Independent Female Heroines in Jane Eyre and ‘The Wife of Bath’s Tale’ 2015 (BA)
• Mezősi Rita: The Experience of Womanhood: A Comparison of Jane Eyre and Mrs Dalloway 2015 (BA)
• Szenes Marianna: The Performance of Femininity in Charlotte Perkins Gilman’s Herland 2015 (BA)
• Sugár Gabriella: Formations of Madness and Femininity in Sylvia Plath’s The Bell Jar, Susanna Kaysen’s Girl, Interrupted and Janet Frame’s Faces in the Water 2015 (MA)
• Szilágyi Bella Brigitta: ’A place to hide in’- Space and Trauma in Jean Rhys’s Good Morning, Midnight 2015 (MA)
• Tóth Edit: Twisting Gender Roles: Femininity and Masculinity in Agatha Christie’s Early Miss Marple Novels 2015 (MA)
• Katkó Vivien: The Representation of Hegel's Theory of Freedom and His Notion of the Master and the Slave in Jane Eyre 2016 (BA)
• Orsó Nikolett: Untypical Victorian Gender Constructions in Anne Brontë’s The Tenant of Wildfell Hall 2016 (BA)
• Tófalvi Katalin: The Possibilities of Embroidery and Textile Techniques within Contemporary Conceptual Art 2016 (MA)
• Weidisch Edit: ‘You thought to disgrace me, did you, by running away and turning [an] artist’: A Woman as an Artist in Anne Brontë’s The Tenant of Wildfell Hall 2016 (MA)
• Korompai Flóra Luca: Jane Eyre’s Escape from the Perspective of Victorian Expectations About Women 2017 (BA)
• Juhász Dóra: “Last Night I Dreamt I Went to Thornfield Again": Daphne du Maurier’s Rebecca as Jane Eyre’s Intertext 2017 (MA)
• Szenes Marianna (Gula Mariannával közös témavezetés): “This is the Place of Betrayal": Memorialising the Irish Magdalen Laundries in Galway 2017 (MA)
• Szűcs Orsolya: Sexual and Textual Androgyny: Vita Sackville-West and Virginia Woolf’s Orlando and A Room of One’s Own 2107 (MA)
• Fehér Dóra: “My Imagination is the Body’s": A Kristevan Interpretation of Female Embodiment in The Waves 2107 (MA)

Témavezető: Dr. Bényei Tamás

• Varga Tünde: The Uncanny Reinterpreted in Angela Carter’s The Bloody Chamber
• Herendi Krisztina: Psychoanalysis and Fiction: Hysteria and Its Representations in Angela Carter’s The Magic Toyshop and “The Bloody Chamber” and in Sigmund Freud’s “Fragment of an Analysis of a Case of Hysteria”
• Görömbei Réka: Things Made and Things Found: Meaning and Myth in Angela Carter’s The Passion of New Eve
• Koós Zsuzsanna: Magic Legacy: Naming and Genealogy in Toni Morrison’s Song of Solomon and Isabel Allende’s The House of Spirits
• Kulcsár Katalin: The love that dare not speak its name”: Homosexuality in Edward Morgan Forster’s Maurice
• Varga Ildikó: Problems of Roles and Identities in Angela Carter’s The Magic Toyshop
• Tukacs Tamás: Strategies of Reading in John Fowles’s The Collector
• Moise Gabriella: The Trick Is to Keep Eating: The Poetics of Anorexia Nervosa in Janice Galloway’s The Trick Is to Keep Breathing
• Szabó Judit: The Dynamic Imagination of Virginia Woolf
• Nyirkos Eszter: The Uncanny in Angela Carter’s The Magic Toyshop
• Veress Ottília: The novel’s dreaming: an analysis of the Opening Paragraph of Jeanette Winterson’s Sexing the Cherry.
• Somogyi Gyula: Mimicry and the Discourses of Race/Sexuality
• Király Dóra: Childhood and Gender Identity in Two Novels by Charles Dickens
• Gulyás Judit: Rhythm, Time and Subjectivity in Mrs Dalloway
• Zimányi Eszter: Monstrous Female Bodies in Contemporary British Novels by Women
• Pataki Éva: Caught between Two Worlds: The Confusion of Identity in Three British-Asian Novels

Supervisor: Dr. Györke Ágnes

• Skorri Gislason, "The Other Strikes Back: The Elliptical Structure of Salman Rushdie's The Satanic Verses", 2006
• Csapó Kinga, "Magic Realism and the Politics of Identity in Salman Rushdie's Midnight's Children", 2007
• Szabó Szende, "Femininity and Masculinity in Jean Rhys's Wide Sargasso Sea", 2007
• Vizi Mária, "Hybrid Figures in the Eclipse of the Crescent Moon", 2008
• Ludányi Melinda, Salman Rushdie, The Satanic Verses: A "Satanic Quest" for Identity", 2008
• Sárköziné Zuberecz Klára, "The Representation of Place, Identity, and Emotional Complexity in Jean Rhys's Wide Sargasso Sea ", 2008
• Sipos Nóra, "The Coca-Cola As a Tool For American Nationalism", 2009
• Zombori Csilla, "Mimicry in The Mimic Men by V. S. Naipaul", 2009
• Kunkli Szilvia, "I’m Telling You Stories, Trust Me: Intertextuality in Salman Rushdie's Harun and the Sea of Stories and in Jeanette Winterson's The Passion, 2010
• Takács Orsolya, "Fluidity Symbols in Iris Murdoch's The Sea, The Sea , 2010
• Jurkó Edina, "Ian McEwan's Atonement as a Novel of Trauma", 2010
• Erdei Dóra, "Questions of Identity in the Wide Sargasso Sea", 2010
• Oroszné Koncz Nóra, "Advertising and Gender", 2010
• Kovácsné Hudra Helga, "The Gothic and the Supernatural in Jane Eyre", 2011
• Pap Orsolya, "Advertisements and Advertisement Campaigns in our Age: Sexist Ads from the 1950s and Dove’s Campaign for Real Beauty", 2012
• Kicsák Anett, "Desire in Jeanette Winterson's The Passion," 2014

Supervisor: Ureczky Eszter

• 1. Szabó Márta Ágnes: Manipulative Media:Ideals and Stereotypes of Femininity, 2011.
• 2. Gazsó Szidónia: Gender Relations, Desire and Illness in Charlotte Brontë’s Shirley, 2012.
• 3. Benke Evelin: Prostitution and the Rewriting of Victorian Gender Stereotypes in Matthew Keale's Sweet Thames and Faye L. Booth's Trades of Flesh, 2013.
• 4. Pál Anita: Shell Shock, Trauma and Gender in Pat Barker's Regeneration, 2013.
• 5. Kaszás Judit: Gothic Spaces in Daphne Du Maurier's Rebecca, 2013.
• 6. Bacsa Etelka: Female Gender Roles in Short Stories by Contemporary Women Writers, 2013.

Témavezető: Dr. Bülgözdi Imola/Current Courses/Dr. Bülgözdi Imola/E félévi kurzusok

• Zágoni, Vivienne. "You must not tell anyone what I am about to tell you" - Silencing Faced by Maxine Hong Kingston, a Chinese Woman in America (BA 2017)
• Dobi, Lilla. The Representation of Suburban Life and Underlying Problems in Sam Mendes's American Beauty (BA 2017)
• Katona, Ivett. Beyoncé: Getting Black Feminism in Formation (BA 2017)
• Kovács, Réka Cecília. From Essentialism to Choice: The Quest for Identity in Neil Gaiman's American Gods (BA 2017)
• Gáll, Anna Nikoletta, “Duality of Personality: Interfusion of Feminine and Masculine
• Features in The Hunger Games” (BA 2016)
• Hancsák, Petra, “The Role of the Southern Belle in Katherine Anne Porter’s Miranda Stories” (BA 2016)
• Mlinkó, Judit, "The Representation of Women's Roles in Henry James and Jane Campion's The Portrait of a Lady" (BA 2016)
• Szabó, Nikoletta, “The Emergence of Independent Women – Cinematic Depictions of
• Flappers in the Film Adaptations of F. Scott Fitzgerald’s The Great Gatsby” (BA 2016)
• Visnyei, Petra, “The Character and Artistry of Halsey” (BA 2016)
• Kulcsár Patrícia: Slavery in the United States of America through Contemporary Women's Diaries (BA 2015)
• Brendzsák Kitti: An Overview of Sexism in Advertising in American Society (BA 2015)
• Kertész, Emese, “The Holocaust, Gender and Suffering in William Styron’s Sophie’s Choice”
• (MA 2016). Bülgözdi Imola/Current Courses/Dr. Bülgözdi Imola/E félévi kurzusok[/url]
• Zágoni, Vivienne. "You must not tell anyone what I am about to tell you" - Silencing Faced by Maxine Hong Kingston, a Chinese Woman in America (BA 2017)
• Dobi, Lilla. The Representation of Suburban Life and Underlying Problems in Sam Mendes's American Beauty (BA 2017)
• Katona, Ivett. Beyoncé: Getting Black Feminism in Formation (BA 2017)
• Kovács, Réka Cecília. From Essentialism to Choice: The Quest for Identity in Neil Gaiman's American Gods (BA 2017)
• Gáll, Anna Nikoletta, “Duality of Personality: Interfusion of Feminine and Masculine
• Features in The Hunger Games” (BA 2016)
• Hancsák, Petra, “The Role of the Southern Belle in Katherine Anne Porter’s Miranda Stories” (BA 2016)
• Mlinkó, Judit, "The Representation of Women's Roles in Henry James and Jane Campion's The Portrait of a Lady" (BA 2016)
• Szabó, Nikoletta, “The Emergence of Independent Women – Cinematic Depictions of
• Flappers in the Film Adaptations of F. Scott Fitzgerald’s The Great Gatsby” (BA 2016)
• Visnyei, Petra, “The Character and Artistry of Halsey” (BA 2016)
• Kulcsár Patrícia: Slavery in the United States of America through Contemporary Women's Diaries (BA 2015)
• Brendzsák Kitti: An Overview of Sexism in Advertising in American Society (BA 2015)
• Kertész, Emese, “The Holocaust, Gender and Suffering in William Styron’s Sophie’s Choice” (MA 2016)