| Author | Title | Supervisor | Year | Prize |
| Kalmár György | The Pleasure of Orlando | Dr. Séllei Nóra | 1997 | 1st prize and special award |
| Görömbei Réka | Myth in Angela Carter’s A Passion for New Eve | Bényei Tamás | 1997 | 2nd prize |
| Varga Tünde | The Uncanny in Angela Carter’s Fairy Tales | Bényei Tamás | 1997 | 2nd prize |
| Fazekas Attila | Emily Brontë, Wuthering Heights: A Rebellion against the Dominant Discourses of the Western European Cultures | Dr. Séllei Nóra | 1997 | special award |
| Herendi Krisztina | Angela Carter and Freud in The Magic Toyshop | Bényei Tamás | 1997 | -- |
| Kőrösi Márta | In and Out of Gender and Genre: Woolf’s Orlando | Dr. Séllei Nóra | 1999 | 3rd prize |
| Lantos Enikő | Twice-Told Tales: Fairy Tale, Gothic, and Fantasy in Angela Carter’s The Bloody Chamber and Other Stories | Dr. Séllei Nóra | 1999 | — |
| Somogyi Gyula | „Áttétel és rémregény Kemény Zsigmond Ködképek a kedély láthatárán című szövegében” | Dr. Bényei Tamás Dr. Séllei Nóra Bényei Péter | 2001 | 1st prize |
| Csatári Annamária | Margaret Drabble’s The Waterfall as a Künstlerroman | Dr. Séllei Nóra | 2001 | — |
| Jakab Enikő | Illness and Family Romance: a Key Motif in Charlotte Brontë’s Novels | Dr. Séllei Nóra | 2001 | — |
| Papp Klaudia | ’Parents as Is Lovers Is Noh Parents ah all’: Aspects of Motherhood in Marina Carr's Plays | Dr. Bertha Csilla | 2001 | 3rd prize |
| Moise Gabriella | The Trick Is to Keep Eating: The Poetics of Anorexia Nervosa in Janice Galloway’s The Trick Is to Keep Breathing | Bényei Tamás | 2001 | -- |
| Dóri Márta | Mirrors in Charlotte Brontë’s Villette | Dr. Séllei Nóra | 2003 | 1st prize |
| Veres Ottilia | The Dream of the Text: The Opening Paragraph of Jeanette Winterson’s Sexing the Cherry | Bényei Tamás | 2003 | 2nd prize |
| Erdei Nóra | Miss Marple nyomoz | Dr. Séllei Nóra | 2003 | 3rd prize |
| Garamvölgyi Judit | Androgünia Adrienne Rich "Diving into the Wreck" és Ingeborg Bachmann Undine Geht c. művében | Dr. Séllei Nóra | 2003 | — |
| Gergely Nikoletta | Epistemology, Rhetoric and Power in Sigmund Freud’s “Fragment of an Analysis of a Case of Hysteria” | Dr. Séllei Nóra | 2005 | 3rd prize |
| Erdei Nóra | “The Erotic Beyond”: Sexuality in Emily Dickinson’s and Christina Rossetti’s Poetry | Dr. Séllei Nóra | 2005 | — |
| Schottner Ágnes | The Shadow of theRue Fossette — The Shadow-like Figure of Lucy Snowe in Charlotte Brontë’s Villette | Dr. Séllei Nóra | 2005 | — |
| Zimányi Eszter | Doors and Windows in Virginia Woolf’s To the Lighthouse | Bényei Tamás | 2005 | -- |
| Barna Tibor | Oleanna: Feminism, Postmodernism and Political Correctness | Dr. Séllei Nóra | 2007 | — |
| Krakkó Eszter | Charlotte Brontë’s Novels: Inviting the Picturesque | Dr. Séllei Nóra | 2007 | — |
| Tamási Tímea | Crime as Punishment: Violence in Hannibal | Bényei Tamás | 2007 | -- |
| Zimányi Eszter | Transgressive Female Bodies in Contemporary British Novels by Women | Bényei Tamás | 2007 | -- |
| Szabó Orsolya Zsuzsanna | Just Turn it Around - The Osbournes and "The Osbournes" as Images and Storytellers of Gender | Dr. Séllei Nóra | 2009 | 2nd prize |
| Szeifert Ágnes | "Lost in Nebulous Time": Surrealism and Subversion in Angela Carter's The Infernal Desire Machines of Doctor Hoffman | Dr. Bényei Tamás | 2009 | 3rd prize |
| Ureczky Eszter | Dwelling in Doubleness: Narrative Space in Bruce Chatwin's On the Black Hilland Michel Tournier's Gemini | Dr. Bényei Tamás | 2009 | 1st prize and special award |
| Győri Dávid | The Figure of James Bond as the Archetypal Hero in Ian Fleming's Casino Royale | Dr.Donald E Morse | 2009 | -- |
| Szalóki Zsuzsanna | The Mother-Daughter Relationship in Fairy Tales by Contemporary Women Writers | Dr. Séllei Nóra | 2011 | -- |
| Bozsó Georgina | The Mad (Wo)man in the Attic: Gendered Madness in Iain Banks's The Wasp Factory | Dr. Séllei Nóra | 2013 | 2nd prize and award of Department of British Studies, UD |
| Szenes Marianna | ’This is the Place of Betrayal’: Memorialising the Irish Magdalen Laundries in Galway | Dr. Séllei Nóra, Oroszné dr. Gula Marianna | 2017 | 3. helyezés |
| Bodrogi Dóra | LGBTQIA Representation in Fiction Patterns of (Mis)representation in British Fictional Narratives since 1885 | Dr. Ureczky Eszter | 2017 | 2nd prize |
Last update:
2023. 06. 08. 11:03