Zsuzsanna Koós - CV

PERSONAL DATA
Name: Koós Zsuzsanna
Place of Birth: Kazincbarcika
Email: zskoos@yahoo.com


 

WORK EXPERIENCE

1993-2020: Secondary school teacher of Hungarian and English, Head of the Hungarian Department (2002-2004 and 2014-2020) – Berzeviczy Gergely Secondary School, Miskolc

2012-: Language examiner – DExam

2000-: Free-lance translator

1996-2002: Teacher of English – Globus Language School, Miskolc

 

QUALIFICATIONS

2007:  University of Debrecen, Faculty of Humanities, Doctoral School of Literature, English and North American Studies Program – achieved All-But-Dissertation status

1998:  Kossuth University – M.A. in English Language and Literature

1993:  Kossuth University – M.A. in Hungarian Language and Literature and Russian Language and Literature

1992:  University of Agriculture of Debrecen – Advanced course in foreign trade

1991:  Kossuth University – Advanced course in tourism in English and Russian

 

LANGUAGE COMPETENCE

English: proficiency level (M.A. in English language and literature)

Russian: proficiency level (M.A. in Russian language and literature)

 

SCHOLARSHIPS, GRANTS

Aug 2007 – Jan 2008   Visiting scholar, scholarship for PhD students – Indiana University, Bloomington, Indiana, USA

2007 – 2008    Fellowship for research and internship, University of Alberta, Edmonton, Alberta, Canada – won but declined

 

CONFERENCE PARTICIPATIONS

“Genealogy and the Genre of the Postmodern Family Saga.” Conference of the International Journal of Arts and Sciences, Prague, June 2014.

“The Workings of Memory, Remembrance and Oblivion in Kate Atkinson’s Behind the Scenes at the Museum.” 6th Conference for Ph.D. Students, Miskolc, Aug. 2007.

”A nagyi meséi – a szubjektum eltolódásai André Brink Homokba írt történet című regényében.” [“The Granny’s Tales: The Displacement of Female Subjectivity in André Brink’s Imaginings of Sand.”] A női szubjektum, a nő mint szubjektum. [Female Subjectivity, the Female as Subject.] Conference. Debrecen, April 2006.

“Immigrant Identities and Generation Gap in F. G. Paci’s Black Madonna.” 16th British and American Studies Conference. Timisoara, May 2006.

“The Construction of Female Subjectivity in William Faulkner’s Absalom, Absalom.” 15th British and American Studies Conference. Timisoara, May 2005.

“Narration, Storytelling and Genealogy in André Brink’s Imaginings of Sand.” HUSSE Conference. Veszprém, January 2005.

 

PUBLICATIONS

“Genealogy and the Genre of the Postmodern Family Saga.” Conference Proceedings of the International Journal of Arts and Sciences, Prague, June 2014. Vol. 7. No. 2. CD-ROM. ISSN: 1943-6114. 07(02): 363–366.

“The Workings of Memory, Remembrance and Oblivion in Kate Atkinson’s Behind the Scenes at the Museum.” Proceedings for the 6th Conference for Ph.D. Students. Miskolc: U of Miskolc P, 2007. 145-153.

”A nagyi meséi – a szubjektum eltolódásai André Brink Homokba írt történet című regényében.” [“The Granny’s Tales: The Displacement of Female Subjectivity in André Brink’s Imaginings of Sand.”] A női szubjektum, a nő mint szubjektum. [Female Subjectivity, the Female as Subject.] Ed. Nóra Séllei. Orbis Litterarum. Debrecen: U of Debrecen P, 2007. 90-99.

“Narration, Storytelling and Genealogy in André Brink’s Imaginings of Sand.” HUSSE Papers. Veszprém: U of Veszprém P, 2005. Vol. 1. 67-74.

Examination Topics in English for Post-Secondary “Technician” Students of Commerce. Budapest: KIT Képzőművészeti Kiadó, 2000.

 

BOOK REVIEWS

“John Thieme’s Postcolonial Con-texts: Writing Back to the Canon.” HJEAS 11.1 (2005): 244-246.

Last update: 2023. 06. 08. 11:03