Bertha Csilla/List of publications

Books written and/or edited

  • A Nation Dismembered. The 1920 Treaty of Trianon in Hungarian Poetry, Co-edited with Gyula Kodolányi. Budapest: Hungarian Review, 2019.
  • Down Fell the Statue of Goliath. Hungarian Poets and Writers on the Revolution of 1956
  • Edited. Budapest: Hungarian Review, 2017.
  • Silenced Voices. Hungarian Plays from Transylvania. Selected, ed. and translated with Donald E. Morse. Dublin: Carysfort Press, 2008.
  • “The Work Has Value”: The Dramatic Artistry of Brian Friel. Co-ed. with Donald E. Morse
  • and Mária Kurdi. Dublin: Carysfort Press, 2006.
  • Homeland in the Heights. Anthology of Post-World War II Hungarian Poetry. Ed. Budapest: Eötvös József Press, 2000.
  • Worlds Visible and Invisible. Essays on Irish Literature. Co-authored with Donald E. Morse. Debrecen: Kossuth University Press, 1994.
  • A Small Nation's Contribution to the World. Essays on Anglo-Irish Literature and Language. Co-ed. with Donald E. Morse and István Pálffy. Debrecen: Kossuth University Press -- Garrards Cross: Colin Smythe -- New York: Barnes and Noble, 1993. (Irish Literary Studies, 45.)
  • The Celebration of the Fantastic: Selected Papers from the Tenth Anniversary International Conference on the Fantastic in the Arts. Co-ed. with Donald E. Morse and Marshall Tymn. Westport, CT: Greenwood Press, 1992.
  • More Real than Reality: The Fantastic in Irish Literature and the Arts. Co-ed. with Donald E. Morse. Westport, CT: Greenwood Press, 1991.
  • English Literature in the Nineteenth Century and the First Half of the Twentieth. Budapest: Tankönyvkiadó, 1990.
  • A drámaíró Yeats, Budapest: Akadémiai Kiadó, 1988.

Journals Edited

  • Guest Editor of Special Irish Drama Issues, Hungarian Journal of English and American Studies, 2:2 (1996), 181. 23:1(2017), 247.
  • Guest Editor of special issue of Irish University Review, Mirror up to Theatre, 45:1 (2015). 194.
  • Co-Editor of Special Irish Issues. Hungarian Journal of English and American Studies, 8:1 (2002), 10:1-2 (2004).

Essays

  • "Szétszaggatott ország - A Nation Dismembered. Magyar költők Trianon-versei angolul". Irodalmi Magazin, VIII:2 (2020), 50-54.
  • "A 'szétszaggatott ország' verspanaszai - angolul". Agria, 14:2 (2020), 93-98.
  • "Interart Relations and Self-Reflexivity in Contemporary Irish Drama". The Palgrave Handbook of Contemporary Irish Theatre and Performance. ed. Eamonn Jordan and Eric Weitz, London, Palgrave Macmillan, 2018. 637-655.
  • "Crossing Borders in Irish Drama and Theatre: Art, Artist and Sacrifice". Philologica. Acta Universitatis Sapientiae, 10:1 (2018), 7-23.
  • "In Memoriam Tom Murphy (1935-2018)". Hungarian Journal of English and American Studies, 24:2 (Fall 2008), 285-96.
  • "A kiáltás jogáért’: Tamási Áron és Sütő András angolul”. Jégtörő írók. Tamási Áron- és Sütő András-emlékkonferencia. ed. László Ablonczy. Budapest: Magyar Művészeti Akadémia, 2017. 283-97.
  • "Irish Drama, Theatre, and Performance. Hungarian Journal of English and American Studies, 23:1 (2017), 5-11.
  • “’A kiáltás jogáért’: Tamási Áron és Sütő András angolul”. HITEL, XXIX: 6 (June 2016), 115-23.
  • “Godot Comes to Hungary via Translation and Acculturation.” Co-author: Donald E. Morse. Litteraria Pragensia, 25:50 (Dec 2015), 75-91.
  • “In Memoriam Brian Friel (1929-2015).” Hungarian Journal of English and American Studies. 21:2 (2015), 259-66.
  • “The Space of Art, the Place of the Artist in Frank McGuinness’s The Bird Sanctuary.” Literatures in English: New Frontiers of Research. ed. Wolfgang Zach and Michael Kenneally. Tübingen: Stuffenburg Verlag, 2015. 99-113.
  • “Theatricality and Self-Reflexivity: The Play-within-the-Play in Select Contemporary Irish
  • Plays.” Irish Theatre in Transition. From the Late Nineteenth- to the Early Twenty-First Century. ed. Donald E. Morse. London: Palgrave Macmillan, 2015. 99-121.
  • “A művészetbe ágyazott emlékezet Brian Friel drámáiban. In memoriam Görömbei András. ed. Baranyai Norbert, Imre László, Takács Miklós Debrecen: Debreceni Egyetemi Kiadó, 2015. 397-403.
  • ‘”A halhatatlanság remeki”, William Butler Yeats-fordítások a költő születésének 150. évfordulóján / “Artifice of Eternity”, Introduction to translations of W.B.Yeats’s poems on the 150th anniversary of his birth’. Napút, XVII:2, 57-59.
  • “Memory, Art, Lieux de Mémoire in Brian Friel’s The Home Place.” The Theatre of Brian Friel. Tradition and Modernity. Christopher Murray. London: Bloomsbury Methuen, 2014. 230-45.
  • “Borderlines destabilized - Witches and Witchcraft in Frank McGuinness’s Plays.” Hungarian Journal of English and American Studies 20:2 (2014), 35-52.
  • "Interart Representation in the Kunstlerdrama: Word, Image, and Music in Contemporary Irish Plays." Discources of Space. Eds. Judit Pieldner and Zsuzsanna Ajtony. Cambridge: Cambridge Scholars, 2013. 138-55.
  • "Oft in the Stilly Night' in Ballybeg." Whack for the dah. Writings for Ferenc Takács on his 65th birthday. Eds. Ákos Farkas, Zsuzsanna Simonkay, Janina Vesztergom. Budapest: ELTE, AAI. 2013. 181-92.
  • "Szó és zene Brian Friel Performances című drámájában." Tanulmányok Bollobás Enikő 60. születésnapjára. Eds. Vera Benczik, Tibor Frank, and Ildikó Geiger. Budapest: ELTE AAI, 2012. 49-57.
  • “Art as a lieu de memoire in Brian Friel’s The Home Place.” Sean, Nua agus Síoraíocht.
  • Féilscríbhinn in ómós do Dháithí Ó hÓgáin. Eds. Ríonach uí Ógáin et al., Dublin: Coiscéim, 2012. 52-64
  • “Theatre within the Theatre, Play within the Play – Self-Reflexivity in Jim Nolan’s
  • Blackwater Angel.” Focus, 2012. 93-104.
  • “Tom Murphy drámája: a lehetőség színháza.” Nagyvilág LVI,1-2 (Jan-Feb 2011). 104-18.
  • “’The despised and lonesome of the world’: Colonial Encounters on the Boundaries in Sebastian Barry’s Whistling Psyche.” Literatures in English: Ethnic, Colonial and Cultural Encounters. eds. Jacqueline Hurtley et al. Tübingen: Stauffenburg, 2011. 289-300.
  • “’Light rises from his raised hands’. Frank McGuinness’ Künstlerdrama, Innocence.” A Garland of Words. eds. Munira Mutran et al. Sao Paolo: Sao Paolo UP, 2010.
  • "Interart Representation in the Künstlerdrama. Word, Image, and Music in Contemporary Irish Plays." Philologica. Acta Universitatis Sapientiae. 2.1, 2010. 26-42.
  • “A művészdráma teatralitása. Kép és szó Frank McGuinness Ártatlanság című darabjában.” A mondat becsülete. Eds. Bényei Tamás et al. Debrecen: Debrecen UP, 2010. 201-10.
  • “’Rituals of a Lost Faith’?: Murphy’s Theatre of the Possible.” ’Alive in Time’: The Enduring Drama of Tom Murphy. New Essays. ed. Christopher Murray. Dublin: Carysfort Press, 2010. 273-290.
  • “Visual Art and Artist in Contemporary Irish Drama.” Hungarian Journal of English and American Studies.. 15,2 (Fall 2009). 347-67.
  • “Brian Friel Performances in Hungarian Theatres: Problems in Theatrical Adaptation.” Literary and Cultural Relations: Ireland, Hungary, and Central and Eastern Europe. ed. Mária Kurdi. Dublin: Carysfort Press, 2009. 85-103.
  • “Falling through the Cracks.” Introduction. Silenced Voices. Hungarian Plays from Transylvania. Selected and ed. Csilla Bertha and Donald E. Morse. Dublin: Carysfort Press, 2008. 1-18.
  • ‘“The Centre Cannot Hold”: The Postcolonial Discourse in Ireland and Brian Friel’s The Home Place,’ Literatures in English: Priorities of Research. Studies in English and Comparative Literature. Ed. Wolfgang Zach and Michael Kenneally. Tübingen, Stauffenburg Ferlag. 2008. 217-29.
  • '“New York számára teljesen új hang”, Páskándi Géza drámái angolul’, Korunk, XIX/8, 2008. augusztus, 81-85.
  • ‘“Fond mem’ry brings the light”: Cultural Memory in Brian Friel’s The Home Place’, A New Ireland in Brazil. Ed. Laura P. Z. Izarra and Beatriz Kopschitz X. Bastos. Sao Paulo: Humanitas, 2008. 99-116.
  • ‘“Egyetemes nyelven – a szülőföld meggyötört talajából”. Páskándi Géza angolul‘, Évfordulós tanácskozások 2008.. ed. Árpád Muzsnay. Szatmárnémeti: EMKE, 2008. 651-68.
  • ‘Thomas Kilroy’s The Shape of Metal: “Metal … Transformed into Grace” – Grace into Metal,’ ABEI Journal, No. 9 (June 2007), 85-97. (Sao Paolo, Brazil)
  • “Az ír dráma száz éve.” Korunk.III, 11 (Nov 2007), 79-84.
  • “Tisztelgés Országh László, a tudós, a tanár és a az ember előtt.” In Memoriam Országh László. Ed. Vadon Lehel. Eger: Eszterházy Károly Főiskola, Amerikai Tanszék, 2007. 206-11.
  • “Brian Friel as Postcolonial Playwright.” The Cambridge Companion to Brian Friel. Ed. Anthony Roche. Cambridge: Cambridge UP, 2006.154-165.
  • “’The Hungarian of the West’: Yeats’s Reception in Hungary.” The European Reception of W.B.Yeats. Ed. Peter Jochum. London and New York: Continuum Press, 2006. 150-61.
  • “Music and Words in Brian Friel’s Performances.” From ‘English Literature’ to ‘Literatures in English’ – International Perspectives. Eds. Michael Kenneally and Rhona Richman Kenneally. Heidelberg: Universitätsverlag WINTER, 2005. 173-81.
  • “The House Image in Three Contemporary Irish Plays.” New Hibernia Review, 8,2 (Summer 2004), 64-84.
  • “Irish Post-Colonial Drama: A Hungarian View.” Irelands in the Asia-Pacific. Ed. Peter Kuch and Julie-Ann Robson. Gerrards Cross, Bucks., Colin Smythe, 2003. 159-75.
  • “’They Raigne Over Change, and Doe Their States Maintaine’: Change, Stasis, and Postcoloniality in Frank McGuinness’ Mutabilitie.” Irish University Review. 32:2 (Dublin, Autumn/Winter 2003), 307-321.
  • “Making Visible: Hungarian Painter Zoltán Bertha’s Transformation of Folk Symbols into Painting.” ANTEMNAE, 4 (2002), 17-35.
  • “Poetically Dwelling: The Mythic and the Historical in Tom Murphy’s The House”, Special Irish issue of Hungarian Journal of English and American Studies, 8.1, Spring, 2002, pp.213-226.
  • “Postcoloniality and Mutability of Hierarchies in Frank McGuinness’s Mutabilitie.” HUSSE Papers 2001. Proceedings of the Fifth Biennial Conference. Eszterházy Károly College, Eger, 2002. 205-21.
  • “Hungarian Perspectives on Brian Friel’s Theatre After Dancing at Lughnasa.” Co-author, Mária Kurdi. Druids, Dudes and Beauty Queens. The Changing Face of Irish Theatre. Ed. Dermot Bolger. Dublin: New Island, 2001. 173-195.
  • “Doubles, Twins and Triplets: Coming of Age in Contemporary Irish Drama”, Focus, Papers in English Literary and Cultural Studies, 3:2 (Pécs, 2000), 66--78.
  • “Introduction” to Homeland in the Heights. Anthology of Post-World War II Hungarian Poetry. (co-authored with Bertha Zoltán) Budapest: Eötvös József Press, 2000. 14--26.
  • “Desmond Egan versei elé”. In Desmond Egan: Válogatott versek. Budapest: Editio
  • Plurilingua, 2000. 7--9.
  • “Introduction” In Desmond Egan: Selected Poems. Budapest: Editio Plurilingua, 2000. 5--10.
  • “Singing of Human Unsuccess: The Artist in Brian Friel’s Give Me Your Answer, Do!”, co-authored with Donald E. Morse. Hungarian Journal of English and American Studies, 5:1 (Debrecen, 1999), 127--141.
  • “Transfigurations of Cathleen ni Houlihan.” Alternative Approaches to English-Speaking
  • Cultures in the 19th Century. Ed. Séllei Nóra. Debrecen, 1999. 139--147.
  • “Six Characters in Search of a Faith: The Mythic and the Mundane in Wonderful Tennessee”.
  • Irish University Review, Special Issue: Brian Friel. 29. 1 (Spring/Summer)
  • 1999. 119--135.
  • “’A Haunted Group of Plays’: The Drama of Sebastian Barry”. In Twentieth-Century
  • Theatre and Drama in English.. Ed.:Jürgen Kamm. Trier: Wissenschaftlicher Verlag Trier, 1999. 527--544
  • “Aspects of Post-Colonialism in Contemporary Irish Drama”. In Happy Returns: Essays for Professor István Pálffy. Szerk.: Szaffkó Péter és Bényei Tamás. Debrecen: KLTE, Institute of English and American Studies, 1999. 254--269.
  • “’That Other World’: The Mythic and the Fantastic in Contemporary Irish Drama”. In That Other World. The Supernatural and the Fantastic in Irish Literature and its Contexts.. Vol. 2. Ed.:Bruce Stewart. Gerrards Cross: Colin Smythe, 1998. 120—135.
  • "Szimbolikus vagy fantasztikus?" Életfa. Bertha Zoltán festöi világa. Eds. István Dobrik and Gábor Turi. Miskolc: Felsömagyarország Kiadó, 1998. 19--25.
  • “The Symbolic versus the Fantastic: The Example of an Hungarian Painter.” Életfa. Bertha Zoltán festöi világa. Eds. István Dobrik and Gábor Turi. Miskolc: Felsömagyarország Kiadó, 1998. 25--28.
  • "Split and Integration. Doubles in Contemporary Irish Drama". Conflicting Identities: Essays on Modern Irish Literature. Ed. Robbie Goh. Singapore: Uni Press, 1997. 191—217.
  • "Forms of Reconciliation and Repossession in Sebastian Barry's Plays". HUSSE Papers 1997. Eds. Mária Kurdi and Jázsef Horváth. Pécs: University Press, 1997. 158—166.
  • "Desmond Egan versei elé". Nagyvilág, XLII. 11-12. (Nov-Dec 1997). 596--598.
  • "Island of Otherness': Images of Irishness in Brian Friel's Wonderful Tennessee", Hungarian Journal of English and American Studies, 2:2 (1996) 129--142.
  • "A Reply to Márton Mesterházi on Wonderful Tennessee." (Critical debate). Hungarian Journal of English and American Studies, 2:2 (1996), 155--159.
  • "The Integration of Split Characters and Doubles in Contemporary Irish Drama", English Studies and the Curriculum. Proceedings of the First TEMPUS-JEN Mini Conference. Ed. István Rácz. Debrecen: Kossuth University, 1996. 97--109.
  • "Insularity and Its Transcendence in Brian Friel's Island-Plays." The Classical Worlds and the Mediterranian. Ed. Giuseppe Serpillo - Donatella Badin. Sassari (Italy): University of Sassari Tema, 1996. 242--249.
  • "On the Sea of Torment": Hungarian Literature Throughout the Centuries". Genre and Ethnic Collections: Collected Essays. Ed. Milton T. Wolf - Murray S. Martin. Greenwich, CT - London: JAI Press, 1996. 419--440.
  • "The Symbolic Versus the Fantastic: The Example of an Hungarian Painter". Journal of the Fantastic in the Arts. VI. 4. (1995). 295--311.
  • "Az ír nemzettudat problémái a mai ír dráma tükrében". Korunk. VI. 3. (March 1995), 102--110.
  • "Haza a magasban. Bevezető kortárs magyar költők antológiája elé." Co-authored with Zoltán Bertha. Magyar Élet. XII. 1. (January 1995), 33--40.
  • "Kulturális megosztottság és közösségtudat: identitás-problémák a mai ír drámában". Studia Nova. II.3. (1995): 313--325.
  • "`The Ghosts ... Wrestle and Dance'. Contemporary Irish Drama Haunted by History", HUSSE Papers 1993, Debrecen, 1995. 106--119.
  • "Irish Nationalisms", In Nationalism vc. Internationalism. (Inter)National Dimensions of Literatures in English, ed. Wolfgang Zach/Ken L. Goodwin, Tübingen, Günter Narr, 1995. 191--197.
  • "Introduction. A Small Nation's Contribution to the World". Co-authored with Donald E. Morse. A Small Nation's Contribution to the World. Eds. Donald E. Morse, Csilla Bertha and István Pálffy. Debrecen: Kossuth University Press -- Garrards Cross: Colin Smythe -- New York: Barnes and Noble, 1993. 1--5.
  • "`The Harmony of Reality and Fantasy'": The Fantastic in Irish Drama", A Small Nation's Contribution to the World, Eds. Donald E. Morse, Csilla Bertha and István Pálffy. Debrecen: Kossuth University Press -- Garrards Cross: Colin Smythe -- New York: Barnes and Noble, 1993. 28--42.
  • "A fantasztikum az ír drámában", Emlékkönyv Országh László Tiszteletére, Ed. Lehel Vadon. Eger: K. Eszterházy College, 1993. 113--29.
  • "Csontváry, the Painter of the `Sun's-Path.'" The Celebration of the Fantastic: Selected Papers from the Tenth Anniversary International Conference on the Fantastic in the Arts. Eds. Donald E. Morse, Marshall Tymn, and Csilla Bertha. Westport, CT: Greenwood Press, 1992. 151--164
  • "Myth and the Fantastic: The Example of W. B. Yeats's Plays." More Real than Reality. Eds. Donald E. Morse and Csilla Bertha.Westport, CT: Greenwood, 1991. 17--29
  • "Thomas Murphy's Psychological Explorations." More Real than Reality. Eds. Donald E. Morse and Csilla Bertha. Westport, CT: Greenwood, 1991. 179-191
  • "Looking Backward, Looking Ahead: The Study of the Fantastic in Irish Literature and the Arts." With Donald E. Morse. More Real than Reality. Westport, Eds. Donald E. Morse and Csilla Bertha. CT: Greenwood, 1991. 247--253
  • "The Harmony of Reality and Fantasy: The Fantastic in Irish Drama." Journal of the Fantastic in the Arts. Vol. 4, No. 3, 1991. 2--24
  • "The Literary Scene in Hungary since 1945; Changing Attitudes to Anglo-Irish Literature." Literatures in English--New Perspectives. Frankfurt: Peter Lang, 1990. 175--187
  • "Utószó." in Brian Friel. Philadelphia, itt vagyok! Budapest: Európa, 1990. 281--294
  • "The Human Miracle in Thomas Murphy's Plays." Studies in English and American Culture. Eger, 1990. 5--16
  • "Distortions of Character in the Peasant Plays of John B. Keane." Acta Academiae Paedagogicae Agriensis-Nova. Vol XIX. No. III. Eger, 1989. 41--55
  • "Tragedies of National Fate: A comparison between Brian Friel's Translations and its Hungarian counterpart, András Sütő's A szuzai menyegző." Irish University Review. Vol. 17. No. 2. Dublin, 1987. 207-222
  • "Mythical Vision: Parallels between the Drama of W. B. Yeats and Aron Tamási." Acta Litteraria Academiae Scientiarium Hungaricae. Vol. 29. No. 1-2. Budapest, 1987. 113--138
  • "Nemzeti sorstragédiák: párhuzamok Sütő András és Brian Friel drámájában." Acta Academicae Paedagogiae Agriensis-Nova. Vol. XVIII. No.1. 1987. 51--70
  • "An Irish and a Hungarian Model of Mythical Drama--W. B. Yeats and Aron Tamási." Literary Interrelations: Ireland, England, and the World. Ed. Wolfgang Zach. Tübingen: Günter Narr Verlag, 1987. 85-93
  • "The Natural and the Supernatural in the Plays of W. B. Yeats." Studies in English and American. Vol 6. Budapest, 1986. 14-22
  • "A mitikus költöi dráma két változata: W. B. Yeats és Tamási Aron." Acta Academiae Paedagogicae Agriensis-Nova. Vol. XVII. Eger, 1984. 391--403
  • "Spiritual Realities and National Concern in Yeats's Noh Plays." Hungarian Studies in English. Vol. XIV. Debrecen, 1983. 51--61
  • "Történelem- és világkép Yeats kései drámáiban." Filológiai Közlöny. No. 3-4. Budapest, 1983. 441--446
  • "Yeats drámairói útkeresése." Acta Academiae Paedagogicae Agriensis-Nova. Vol. XVI. Eger, 1982. 299--311
  • "Patriotic and Universal Concerns of W.B.Yeats as Demonstrated in his 'Dance-Plays'." Anglo-Amerikai filológiai-módszertani ülésszak 1980. Pécs, 1981. 136--148
  • "Yeats nó drámái—nemzeti gondolat és egyetemes jelentés." Hevesi Szemle. No. 2. Eger, 1981. 45--50
  • "Egy különös drámai kisérlet a század elején." Hevesi Szemle. No. 4. Eger, 1979. 17--21
  • "A nó dráma yeatsi változata." Acta Academiae Paedagogicae Agriensis-Nova. Vol. XV. Eger, 1979. 253--261
  • Over thirty entries on British and American authors in Világirodalmi Lexikon ("Encyclopedia of World Literature"), Budapest (1978-- publication ongoing)

Reviews

  • Review of Anthony Roche, Brian Friel: Theatre and Politics. Hungarian Journal of English and American Studies., 19:1 (Spring 2013), 183-87.
  • Review of Scott Boltwood, Brian Friel, Ireland, and the North. Irish University Review, 38:2 (Autumn/Winter 2008), 468-73.
  • Review of Cathy Leeny and Anna McMullan (eds.), The Theatre of Marina Carr: "before rules was made." Irish University Review, 34:2 (Autumn/Winter 2004), 420-24.
  • "Erdélyi, közép-európai abszurd: Kányádi Sándor Kétszemélyes tragédiá-ja a Szín-Kör
  • elöadásában”, Szín-Kör, Debrecen: 2000 tavasza, 5--8..
  • Review of D. Rácz István: Költők és maszkok. Debreceni Szemle. 7:3 (1999): 45o--453.
  • Review of Christopher Murray: Twentieth-Century Irish Drama. Mirror up to Nation.
  • Hungarian Journal of English and American Studies. 3:2 (1997): 281--284.
  • Review of Anthony Roche: Contemporary Irish Drama Hungarian Journal of English and American Studies. 2:2 (1996): 169--171.
  • "Tribute to the Scholar, Teacher and Man, László Országh. Vadon Lehel: Országh László." Eger Journal of American Studies. Vol. II. 1994. 153--158.
  • "Universal Word: The Solution to Computer Babel?" With Roger C. Schlobin and Silvia Lorente-Murphy. International Association for the Fantastic in the Arts Newsletter. Summer 1991. 53--59
  • Review of Dr. Kós Károly, Szentimrei Judit and Dr. Nagy Jenő, Moldvai csángó népművészet. Napjaink. No. 6. Miskolc, 1982. 33--34
  • Review of Szőcs István, Selyemsárhajó. Hevesi Szemle. No.1. Eger, 1981. 61--62
  • Review of Katharine Worth, The Irish Drama of Europe from Yeats to Beckett. Filolóiai Közlöny. No. 1-2. Budapest, 1981. 212--215
  • Review of Szabó Gyula, Volt egyszer egy gyermekkor. Hevesi Szemle No. 4. Eger, 1980. 59—60.

Translations together with Donald E. Morse

  • Csurka, István To Survive! Royal Holloway, University of London, Southerland House Texts, 1993. Transl. of Megmaradni!
  • Lászlóffy, Csaba. The Heretic or a Plague of Slugs. Silenced Voices (see above: Books), 99-157. Transl. of Az eretnek (Csórécsigavész).
  • Páskándi, Géza. The Avenger, the Gatekeeper, or It Is Requested that You Wipe Your Feet, Silenced Voices (see above: Books), 159-197. Transl. of A bosszzúálló, a kapus, avagy: Kérjük a lábat letörölni.
  • Sütő, András. Advent in the Hargita Mountains. Silenced Voices (see above: Books), 21-98. Transl. of Advent a Hargitán.
  • The Wedding Feast at Suza Egham, Royal Holloway, University of London, Southerland House Texts, 1993. Transl. of A szúzai menyegző
  • Székely, János. Caligula’s Governor. Sileneced Voices (see above: Books), 199-260. Transl. of Kaligula helytartója.[/]
  • Szőcs, Géza. A Christmas Play or Uncle Louis and the Little Ones. Silenced Voices (see above: Books), 261-82. Transl. of Karácsonyi játék, avagy Lajosz báci és a kisdedek.
Last update: 2023. 06. 08. 11:03