Supervisor: Dr. Gula Marianna
Dienes Sára, “Polyphony and Metafiction in Flann O’Brien’s At Swim-Two-Birds,” 1998
Szilágyi Katalin, “Epistemological Uncertainties in Flann O’Brien’s The Third Policeman and Samuel Beckett’s Molloy,” 1998
Veres Szende Júlia, “Reality and Fantasy in Flann O’Brien’s At Swim-Two-Birds and The Third Policeman,” 1998
Fekete Andrea, “The Dichotomy of Body and Mind in Samuel Beckett’s Murphy and Molloy,” 1999
Terdik Borbála, “Quest stories in John Banville’s Birchwood,” 1999
Szabó Helga, “James Joyce in the Context of Orientalism, James Clarance Mangan as an Irish Orientalist Intertext,” 2000
Balázs Mariann, “The Mystery Lady of Giacomo Joyce,” 2000
Kőnig Laura, “Music in Brian Friel’s Plays,” 2003
Kovács Sándor, “The Literary Representation of C. S. Parnell in Irish Literature: James Joyce’s Ulysses,” 2003
Bohátka Gyöngyvér, “The Irish Voluntary Sector: Its Relationship with the State and the European Union,” 2005
Tornai Ildikó, “Writing in a Time of Violence: Trauma and Family History in Two Contemporary Northern Irish Novels,” 2007
Marcsek György, “Media and Popular Culture in James Joyce’s Ulysses,” 2007
Gönczi Nóra, “Green Tea and Blue Devils: The Supernatural in Three of Le Fanu’s Stories,” 2007
Ráksi Zsófia, “The Harp as a Symbol in Ireland,” 2008
Molnár Mária, “Women in Flann O’Brien’s Fiction,” 2009
Varga Sebestyén, “The Rebirth of Tragedy in James Joyce’s Ulysses,” 2009
Winke Vivien, “The Reception of Thomas Moore’s Poetical Works in Nineteenth-Century England and Hungary,” 2010 (BA)
Kerezsi Edina, “Duality and Ambiguity in Éilís Ní Dhuibhne’s Fox, Swallow, Scarecrow” 2012 (BA)
Losonczi Lilla, “Symbolism in Two Films about the 1981 Northern Irish Republican Hunger Strike” 2012 (BA)
Vixathep Nikolett, “Graham Linehan Debunks the Stereotypes of the Irish” 2012 (BA)
Tóth Boglárka, “An Lucht Siúil – Wandering People: The Liminality of the Irish Travellers in Cultural Narratives,” 2012 (MA)
Szabó Gábor, “Violence and the Domestic Sphere in Cinematic Representations of the Northern Irish Conflict,” 2013 (BA)
Kiss Judit, “Protean Cities: Representations of Belfast in Robert McLiam Wilson’s Eureka Street and Glenn Patterson’s Fat Lad,” 2014 (BA)
Gubó Luca, “Stories that Weren’t Being Told”: Lenny Abrahamson’s Alternative Celtic Tiger Films,” 2014 (BA)
Posta Andrea, “Brave New Symbols of Modern Ireland: Tradition and Modernity in Éilís Ní Dhuibhne’s Fox, Swallow, Sacrecrow,” 2015 (BA)
Erdélyi Anna, “The Music of Dorian Gray,” 2015 (BA)
Le Nhu Anh, “Modes of Liminality in Hugo Hamilton’s The Speckled People,” 2015 (BA)
Vixathep Nikolett, “A Pastiche . . . An Homage . . . A Nod of the Head’: Postmodern Citation in Quentin Tarantino’s Pulp Fiction and Martin McDonagh’s In Bruges” 2015 (MA)
Marton Tamás, “Literal and Figurative Border Crossings in Bernard MacLaverty’s Lamb, Cal and Grace Notes” 2016 (BA)
Szabó Kinga, “The Playboy and the Cripple: The Struggle for Self-Representation in John Millington Synge’s The Playboy of the Western World and Martin McDonagh’s The Cripple of Inishmaan” 2016 (BA)
Tatár Anita. “The Portrayal of the Catholic Church in John Michael McDonagh’s Calvary” 2016 (BA)
Rozs Fruzsina. "Trauma and Reconciliation in Glenn Patterson's Fat Lad" 2016 (MA)
Szenes Marianna. "'This is the Place of Betrayal': Memorialising the Irish Magdalen Laundries in Galway" 2017 (MA)(co-supervised with Professor Nóra Séllei)
Szurdoki Péter. "Breaking the Frame: Subverting the Conventional in Martin McDonagh's Theatrical and Cinematic Works" 2018 (MA)
Németh Réka Virág. "Re-functionalising the Troubles Thriller in Contemporary Northern Irish Fiction” 2019 (MA)
Koma Zsuzsanna. "They Certainly Have the Rhetoric": Brexit and the Irish Border in the Mockumentary Soft Border Patrol" 2021 (BA)
Pásku Adrienn “Romanticising Rural Ireland on the American Screen: The Quiet Man (1952) and Leap Year (2010)” 2021 (BA)
Gedeon Anna “The Troubles from an Alternative Perspective in Derry Girls” 2021 (BA)
Gaál Adrienn. "Trauma and repetition in Bernard MacLaverty's Lamb, Cal, and Midwinter Break" 2022 (MA)
Aysel Aghayeva. "'Celtic Feminist' or Sorrowful Maiden: Literary Representations of the MythicFigure of Deirdre" 2022 (MA)
Kozma Loretta, “‛Reveal to them Who You Are’: Homosexuality and Transgenderism in Recent Irish Cinema” 2023 (BA)
Kaffai Boglárka, “Sexual Desire in Two Short Stories in James Joyce’s Dubliners and their Cover Vesions in Dubliners 100” 2023 (BA)
Török Natasa Boglárka, " 'I have grown sick of shadows': Art and Love in Oscar Wilde's The Picture of Dorian Gray" 2024 (BA)