Témavezető: Dr. Séllei Nóra
Eszenyi László: Contrasts and Parallels in Charlotte Brontë’s Jane Eyre and Emily Brontë’s Wuthering Heights, 1995
Kiss Dóra: Aesthetic Development in the Works of Katherine Mansfield, 1995
Szarka Eleonóra: Women’s Search for Identity in Hardy’s Novels, 1995
Dorkó Dóra: Female Experience in Jean Rhys’s Novel Wide Sargasso Sea, 1996
Lencz Mónika: Narrative Strategies in Katherine Mansfield’s Short Stories, 1996
Oláh Szilvia: D. H. Lawrence’s Theory and Shorter Fiction in the Light of Freud’s and Fromm’s Philosophy, 1996
Tóth Tünde: A Psychoanalytic Reading of Emily Brontë’s Wuthering Heights, 1996
Tóthné Krankovics Ildikó: The Presence of Freud’s Theory of the Oedipus Complex in Sons and Lovers by D. H. Lawrence, 1996
Dipold Lilla: Themes in Hardy’s Shorter Fiction, 1997
Fazekas Attila: Emily Brontë, Wuthering Heights: A Rebellion against the Dominant Discourses of the Western European Cultures, 1997
Kalmár György: The Pleasure of Orlando, 1997
Kenéz Adrienn: Splitting of Consciousness: The Female Psyche in Emily Brontë’s and Sylvia Plath’s Novels, 1997
Kéri Henriett: George Eliot’s Moral Views about Egoism and Altruism through the Lots of her Female Heroines, 1997
Nagy Viktória: Male-Female Relationships in the Patriarchal Society of Jane Austen’s World, 1997
Nyíri Éva: Visualisation and the Gothic Paraphernalia, 1997
Porcsalmi Izabella: Frankenstein and Jung’s Theory of the Individuation Process, 1997
Tóth Orsolya: The Mill on the Floss: A Female Bildungsroman and the Interpretation of the Genre, 1997
Csajbók Anikó: Christina Rossetti and the Concept of Victorian Femininity, 1997
Nagy Ágnes: Society and the Fragmented Female Psyche in Sylvia Plath’s The Bell Jar and Margaret Atwood’s Surfacing, 1997
Follárdt Natália: “Speaking as a Woman”: Gertrude Stein and Virginia Woolf, 1998
Nagy Ildikó: Brothers and Sisters in 19th-Century British Women Writers’ Works, 1998
Tóth Nárcisz: Representation of Mother-Daughter Bonding in the Works of Female Writers, 1998
Végvári Edit: Who’s Afraid of the Wolves?: Female Figures in Christa Wolf’s Kassandra and Virginia Woolf’s Mrs Dalloway, 1998
Csillingh Erika: The Feminine Condition in Margaret Atwood’s Fiction, 1998
Garai Mónika: The Feminisation of the “Third Genre”, 1999
Homoródi Zsuzsa: Third Stories: Representatives of the Madwoman in Women’s Novels, 1999
Lantos Enikő: Twice-Told Tales: Fairy Tale, Gothic, and Fantasy in Angela Carter’s The Bloody Chamber and Other Stories, 1999
Szentgáli Aliz: Awakenings: Roles and Models for Married Women and Their Defiance in Two 19th-Century Novels: Kate Chopin’s The Awakening and Theoder Fontane’s Effie Briest, 1999
Gergely Szilvia: Images of Woman, 2000
Kovács Éva: Female Confessions, 2000
Szebeni Edit: Searching for a Female Identity: A Comparison of A. Mitgutsch’s Die Züchtigung and Sylvia Plath’s The Bell Jar, 2000
Csatári Annamária: Margaret Drabble’s The Waterfall as Künstlerroman, 2001
Huszti Andrea: Daphne du Maurier’s Rebecca: A Jane Eyre Intertext, 2001
Jakab Enikő: Ilness and Family Romance: a Key Motif in Charlotte Brontë’s Novels, 2001
Juhász Andrea: Maxine Hong Kingston’s The Woman Warrior: A Bicultural Female Künstlerroman, 2001
Kertész Márta: The Domestic Novel: Jane Austen and Maria Edgeworth, 2001
Jakab Anna-Mária: Reading the Female Body in Margaret Atwood’s Surfacing, 2002
Bolgár Tamás: Tales of the Mirror: Narration, Narrators, and Narrative in Emily Brontë’s Wuthering Heights, 2002
Szénási Emőke: “A Palimpsest of Unheard Sounds”: Female Subjectivity in Margaret Atwood’s The Handmaid’s Tale, 2002
Garamvölgyi Judit: “The Wet Frontier Between Me and Me”: Siren-songs from the Modernity, 2003
Horváth Borbála: A Critical Review of the Reception of Emily Brontë’s Wuthering Heights, 2003
Bencze Kinga: What is in Bridget Jones’s Diary ? — An Analysis of Helen Fielding’s Bridget Jones’s Diary from a Sociological Point of View, 2004
Dóri Márta: “Through the Looking Glass”: Looking and Self-Definition in Charlotte Brontë’s Villette, 2004
Katona Julianna: Identical Gynaecologies: Gynaecology and Duality in David Cronenberg’s Dead Ringers, 2004
Almási Csilla: The Problem of Creation: An Analysis of Charlotte Perkins Gilman’s “The Yellow Wallpaper” and George Eliot’s “The Lifted Veil”, 2004
Zakariás Flóra: Fatalism and Determinism in Thomas Hardy’s Novels, 2005
Kolarovics Teréz: Mirroring Bodies and Texts — Michael Cunningham’s The Hours and its Intertetxts, 2005
Varga Emese: Schizophrenia: ‘The Perfect Literary Symbol for the Female Condition’
in the Novels of Janet Frame and Sylvia Plath, 2005
Nagy Alexandra: Swallowing Mirrors – Mirrors and Others in Sylvia Plath’s The Bell Jar, 2005
Erdei Nóra: “The Erotic Beyond”: Sexuality in Emily Dickinson’s and Christina Rossetti’s Poetry, 2005
Szabó Erika: „The Relation of Women’s Fashion to Art”, 2005
Gergely Nikoletta Éva: Epistemology, Rhetoric and Power in Sigmund Freud’s ‘Fragment of an Analysis of a Case of Hysteria’ (‘Dora’), 2006
Hegedűs Melinda: Psychic Mirrors in Women’s Writing, 2006
Schottner Ágnes: The Shadow of the Ruse Fossette – Lucy Snowe’s Shadow-Like Character in Charlotte Brontë’s Villette, 2006
Bánki Ágnes: The Possibilities of Integration and Reintegration Into Society in Marie de France’s Lais, 2007
Tóth Eszter: The ‘Other’ Woman in the Attic in Jean Rhys’s Wide Sargasso Sea, 2007
Papp Réka: The Female Body in Feminist Fiction, 2007
Krakkó Eszter: Charlotte Brontë’s Novels: Inviting the Picturesque, 2007
Papp Barbara Judit: Emily Jane Brontë’s Gondal Poems as a Gothic Story, 2007
Veres Ibolya: Physical Illnesses and Mental Diseases in Connection with Marriages in Jane Austen’s Pride and Prejudice, Sense and Sensibility and Emma, 2007
Kovács Blanka: The Other Face of Fairy Tale Heroines: Alternative Heroines in the Fairy Tales of the Brothers Grimm, 2008
Barna Tibor: Oleanna: Feminism, Postmodernism and Political Correctness, 2008
Sanyó Olívia: Redefining Gender Relationship and Identity in Angela Carter’s The Bloody Chamber, 2008
Tóth Krisztina: Női tes(z)t-ábrázolásmódok Tóth Krisztina novelláiban, 2008
Kristóf Júlia: The Feminine the Ruler – The Masculine the Tender:
The Gender-Shift in Emily Brontë’s Gondal Poems, 2008
Agócs Andrea: Three Generations of Women – A Three-Generation Woman: Stephen Daldry’s The Hours, 2009(BA)
Antal Adrienne: Villette: A Quest for Self-Definition, 2009
Bata Györgyi: Gender Changes in “The Lifted Veil” and in Orlando, 2009
Diviki Dóra: Esther’s Doubles in Sylvia Plath’s The Bell Jar 2009
Fenyősy Márta: Colours as Means of Understanding the Process of Going Mad in Wide Sargasso Sea, 2009
(BA)
Mladoneczki Laura: Flower Symbolism in Angela Carter’s The Magic Toyshop, 2009 (BA)
Pavletits Orsolya: The Double Discourse on Victorian Womanhood and Sexuality for a Contemporary Perspective, 2009
Szűcs Péter: Confused: Postfeminism and Helen Fielding’s Bridget Jones’ Diary, 2009 (BA)
Vígh Mónika: International Relations in the Women’s Suffrage Movement in New Zealand, 2009
Hermann Ildikó: The New Woman at the Fin de Siècle: Fact or Fiction? 2009
Szabó Ildikó: Other Bodies – The Representation of Disabled Female Bodies, 2009
Baji-Gálné Oláh Ibolya: Bildungsroman in the Shadow of Madness in Daphne du Maurier’ Rebecca and Alfred Hitchcock’s Film Adaptation, 2010
Benedek Nikolett: Artistic Representation in Woolf’s To the Lighthouse, 2010
Estók Anna: Modern Urban Heterotopias–Modern Urban Phenomena and Their Representation in Literature and in Films in Connection with Space, 2010
Lőrincz Bianka: The Function of Seasons in Thomas Hardy’s Tess of the d’Urbervilles, 2010
Muszka Zsuzsanna: The Intertextual Connection Between Lessing's The Grass is Singing and Coetzee's In the Heart of the Country, 2010
Szabó Emőke: A Comparative Analysis of Pride and Prejudice and Bridget Jones’s Diary, 2010
Szabó Orsolya Zsuzsanna: Just Turn It Around:The Osbournes and The Osbournes as Images and Storytellers of Gender, 2010
Szalóki Zsuzsanna: The “Uncanny” and the Gaze: Nature as the Embodiment of Repressed Contents in Conrad’s Heart of Darknes and in Lessing’s The Grass is Singing, 2010
Tar Adrienn: Trauma and Confusion in Women’s Lives, and the Failure of Psychiatry in Sylvia Plath’s The Bell Jar, 2010
Bacskó Barbara: (magyar szak) A hisztéria mint a női szubjektum elvesztése a Jane Eyre-ben és a Széles Sargasso-tengerben 2010
Kiros Eszter: Goels and Tricksters in Jesus’ Matrilineage 2010
Filep Éva: The Role of Women’s Magazines in Creating Ideal Females 2010
Németh Ágnes: Virginia Woolf and the Problem of Language 2010
Bussy Adrienn: Bridget Jones’s Diary as a Text of the Subcultural Phenomenon 2011 (BA)
Tógyer Eleonóra The Self As The Other In Margaret Atwood’s The Robber Bride 2011 (BA)
Bozsó Georgina: Strings of Autocracy: From Fairy Tale to the Fear of the Unknown in Angela Carter’s The Magic Toyshop 2012 (BA)
Sulyák Alexandra: The Function adn Significance of Spatial Metaphors in Emily Brontë’s Wuthering Heights 2012 (BA)
Agócs Andrea: What Shall we Do with Our Soldiers? Representations of the Shell-Shocked Soldier in Rebecca West’s The Return of the Soldier and Sarah Waters’s Little Stranger 2012 (MA)
Fenyősy Márta: Madness Through Water Symbolism in Janet Frame’s Faces in the Water 2012 (MA)
Setét Réka: “Tell me where it hurts”: The Traumatic effects of Story-Telling in Margaret Atwood’s The Blind Assassin and Barbara Vine’s Dark-Adapted Eye 2012 (MA)
Szalóki Zsuzsanna: The Mother-Daughter Relationship in Fairy Tales by Contemporary Women Writers 2012 (MA)
Farkas Szabolcs: Reading Virginia Woolf’s The Voyage Out as a Female Initiation Story 2013 (BA)
Kulcsár Lili: The Development of Cultural and Masculine Identity in Hanif Kureishi’s The Buddha of Suburbia 2013 (BA)
Sugár Gabriella: ‘Buried Alive’: The Treatment of Trauma and Repression in Villette 2013 (BA)
Szigeti Magdolna: The Description of Weather and Landscape on the Moorland in Emily Brontë’s Wuthering Heights 2013 (BA)
Szilágyi Bella Brigitta: Gaze and ‘Surveillance’ in Charlotte Brontë’s Villette 2013 (BA)
Gellér Marianna: Women as Powerful and Monstrous: The Witch, the She-Devil and the Femme Fatale in Literature and Film 2013 (MA)
Kicsák Erika: Victorian Paintings as Immensely Rich Sources for Analysing the Emergence of the New Woman from the Role of the Obedient Middle-Class Housewife 2013 (MA)
Nyári Ákos: Sexism as an Issue in Video Games 2014 (BA)
Borsos Gabriella: The Female Body in Margaret Atwood’s Fiction: Objectification and Alienation of the Body 2014 (MA)
Péter Zsuzsa Flóra: Of Monsters and Mothers 2014 (MA)
Juhász Dóra: ‘The name of governess […] was a mere mockery’: The Historical and Social Position of the Victorian Governess 2015 (BA
Lakatos Ildikó: Fairy Tales and Independent Female Heroines in Jane Eyre and ‘The Wife of Bath’s Tale’ 2015 (BA)
Mezősi Rita: The Experience of Womanhood: A Comparison of Jane Eyre and Mrs Dalloway 2015 (BA)
Szenes Marianna: The Performance of Femininity in Charlotte Perkins Gilman’s Herland 2015 (BA)
Sugár Gabriella: Formations of Madness and Femininity in Sylvia Plath’s The Bell Jar, Susanna Kaysen’s Girl, Interrupted and Janet Frame’s Faces in the Water 2015 (MA)
Szilágyi Bella Brigitta: ’A place to hide in’- Space and Trauma in Jean Rhys’s Good Morning, Midnight 2015 (MA)
Tóth Edit: Twisting Gender Roles: Femininity and Masculinity in Agatha Christie’s Early Miss Marple Novels 2015 (MA)
Katkó Vivien: The Representation of Hegel's Theory of Freedom and His Notion of the Master and the Slave in Jane Eyre 2016 (BA)
Orsó Nikolett: Untypical Victorian Gender Constructions in Anne Brontë’s The Tenant of Wildfell Hall 2016 (BA)
Tófalvi Katalin: The Possibilities of Embroidery and Textile Techniques within Contemporary Conceptual Art 2016 (MA)
Weidisch Edit: ‘You thought to disgrace me, did you, by running away and turning [an] artist’: A Woman as an Artist in Anne Brontë’s The Tenant of Wildfell Hall 2016 (MA)
Korompai Flóra Luca: Jane Eyre’s Escape from the Perspective of Victorian Expectations About Women 2017 (BA)
Juhász Dóra: “Last Night I Dreamt I Went to Thornfield Again": Daphne du Maurier’s Rebecca as Jane Eyre’s Intertext 2017 (MA)
Szenes Marianna (Gula Mariannával közös témavezetés): “This is the Place of Betrayal": Memorialising the Irish Magdalen Laundries in Galway 2017 (MA)
Szűcs Orsolya: Sexual and Textual Androgyny: Vita Sackville-West and Virginia Woolf’s Orlando and A Room of One’s Own 2107 (MA)
Fehér Dóra: “My Imagination is the Body’s": A Kristevan Interpretation of Female Embodiment in The Waves 2107 (MA)
Témavezető: Dr. Bényei Tamás
Varga Tünde: The Uncanny Reinterpreted in Angela Carter’s The Bloody Chamber
Herendi Krisztina: Psychoanalysis and Fiction: Hysteria and Its Representations in Angela Carter’s The Magic Toyshop and “The Bloody Chamber” and in Sigmund Freud’s “Fragment of an Analysis of a Case of Hysteria”
Görömbei Réka: Things Made and Things Found: Meaning and Myth in Angela Carter’s The Passion of New Eve
Koós Zsuzsanna: Magic Legacy: Naming and Genealogy in Toni Morrison’s Song of Solomon and Isabel Allende’s The House of Spirits
Kulcsár Katalin: The love that dare not speak its name”: Homosexuality in Edward Morgan Forster’s Maurice
Varga Ildikó: Problems of Roles and Identities in Angela Carter’s The Magic Toyshop
Tukacs Tamás: Strategies of Reading in John Fowles’s The Collector
Moise Gabriella: The Trick Is to Keep Eating: The Poetics of Anorexia Nervosa in Janice Galloway’s The Trick Is to Keep Breathing
Szabó Judit: The Dynamic Imagination of Virginia Woolf
Nyirkos Eszter: The Uncanny in Angela Carter’s The Magic Toyshop
Veress Ottília: The novel’s dreaming: an analysis of the Opening Paragraph of Jeanette Winterson’s Sexing the Cherry.
Somogyi Gyula: Mimicry and the Discourses of Race/Sexuality
Király Dóra: Childhood and Gender Identity in Two Novels by Charles Dickens
Gulyás Judit: Rhythm, Time and Subjectivity in Mrs Dalloway
Zimányi Eszter: Monstrous Female Bodies in Contemporary British Novels by Women
Pataki Éva: Caught between Two Worlds: The Confusion of Identity in Three British-Asian Novels
Supervisor: Dr. Györke Ágnes
Skorri Gislason, "The Other Strikes Back: The Elliptical Structure of Salman Rushdie's The Satanic Verses", 2006
Csapó Kinga, "Magic Realism and the Politics of Identity in Salman Rushdie's Midnight's Children", 2007
Szabó Szende, "Femininity and Masculinity in Jean Rhys's Wide Sargasso Sea", 2007
Vizi Mária, "Hybrid Figures in the Eclipse of the Crescent Moon", 2008
Ludányi Melinda, Salman Rushdie, The Satanic Verses: A "Satanic Quest" for Identity", 2008
Sárköziné Zuberecz Klára, "The Representation of Place, Identity, and Emotional Complexity in Jean Rhys's Wide Sargasso Sea ", 2008
Sipos Nóra, "The Coca-Cola As a Tool For American Nationalism", 2009
Zombori Csilla, "Mimicry in The Mimic Men by V. S. Naipaul", 2009
Kunkli Szilvia, "I’m Telling You Stories, Trust Me: Intertextuality in Salman Rushdie's Harun and the Sea of Stories and in Jeanette Winterson's The Passion, 2010
Takács Orsolya, "Fluidity Symbols in Iris Murdoch's The Sea, The Sea , 2010
Jurkó Edina, "Ian McEwan's Atonement as a Novel of Trauma", 2010
Erdei Dóra, "Questions of Identity in the Wide Sargasso Sea", 2010
Oroszné Koncz Nóra, "Advertising and Gender", 2010
Kovácsné Hudra Helga, "The Gothic and the Supernatural in Jane Eyre", 2011
Pap Orsolya, "Advertisements and Advertisement Campaigns in our Age: Sexist Ads from the 1950s and Dove’s Campaign for Real Beauty", 2012
Kicsák Anett, "Desire in Jeanette Winterson's The Passion," 2014
Supervisor: Ureczky Eszter
1. Szabó Márta Ágnes: Manipulative Media:Ideals and Stereotypes of Femininity, 2011.
2. Gazsó Szidónia: Gender Relations, Desire and Illness in Charlotte Brontë’s Shirley, 2012.
3. Benke Evelin: Prostitution and the Rewriting of Victorian Gender Stereotypes in Matthew Keale's Sweet Thames and Faye L. Booth's Trades of Flesh, 2013.
4. Pál Anita: Shell Shock, Trauma and Gender in Pat Barker's Regeneration, 2013.
5. Kaszás Judit: Gothic Spaces in Daphne Du Maurier's Rebecca, 2013.
6. Bacsa Etelka: Female Gender Roles in Short Stories by Contemporary Women Writers, 2013.
Témavezető: Dr. Bülgözdi Imola/Current Courses/Dr. Bülgözdi Imola/E félévi kurzusok
Zágoni, Vivienne. "You must not tell anyone what I am about to tell you" - Silencing Faced by Maxine Hong Kingston, a Chinese Woman in America (BA 2017)
Dobi, Lilla. The Representation of Suburban Life and Underlying Problems in Sam Mendes's American Beauty (BA 2017)
Katona, Ivett. Beyoncé: Getting Black Feminism in Formation (BA 2017)
Kovács, Réka Cecília. From Essentialism to Choice: The Quest for Identity in Neil Gaiman's American Gods (BA 2017)
Gáll, Anna Nikoletta, “Duality of Personality: Interfusion of Feminine and Masculine
Features in The Hunger Games” (BA 2016)
Hancsák, Petra, “The Role of the Southern Belle in Katherine Anne Porter’s Miranda Stories”
(BA 2016)
Mlinkó, Judit, "The Representation of Women's Roles in Henry James and Jane Campion's The Portrait of a Lady" (BA 2016)
Szabó, Nikoletta, “The Emergence of Independent Women – Cinematic Depictions of
Flappers in the Film Adaptations of F. Scott Fitzgerald’s The Great Gatsby” (BA 2016)
Visnyei, Petra, “The Character and Artistry of Halsey” (BA 2016)
Kulcsár Patrícia: Slavery in the United States of America through Contemporary Women's Diaries (BA 2015)
Brendzsák Kitti: An Overview of Sexism in Advertising in American Society (BA 2015)
Kertész, Emese, “The Holocaust, Gender and Suffering in William Styron’s Sophie’s Choice”
(MA 2016). Bülgözdi Imola/Current Courses/Dr. Bülgözdi Imola/E félévi kurzusok[/url]
Zágoni, Vivienne. "You must not tell anyone what I am about to tell you" - Silencing Faced by Maxine Hong Kingston, a Chinese Woman in America (BA 2017)
Dobi, Lilla. The Representation of Suburban Life and Underlying Problems in Sam Mendes's American Beauty (BA 2017)
Katona, Ivett. Beyoncé: Getting Black Feminism in Formation (BA 2017)
Kovács, Réka Cecília. From Essentialism to Choice: The Quest for Identity in Neil Gaiman's American Gods (BA 2017)
Gáll, Anna Nikoletta, “Duality of Personality: Interfusion of Feminine and Masculine
Features in The Hunger Games” (BA 2016)
Hancsák, Petra, “The Role of the Southern Belle in Katherine Anne Porter’s Miranda Stories”
(BA 2016)
Mlinkó, Judit, "The Representation of Women's Roles in Henry James and Jane Campion's The Portrait of a Lady" (BA 2016)
Szabó, Nikoletta, “The Emergence of Independent Women – Cinematic Depictions of
Flappers in the Film Adaptations of F. Scott Fitzgerald’s The Great Gatsby” (BA 2016)
Visnyei, Petra, “The Character and Artistry of Halsey” (BA 2016)
Kulcsár Patrícia: Slavery in the United States of America through Contemporary Women's Diaries (BA 2015)
Brendzsák Kitti: An Overview of Sexism in Advertising in American Society (BA 2015)
Kertész, Emese, “The Holocaust, Gender and Suffering in William Styron’s Sophie’s Choice”
(MA 2016)
